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Interview with Professor Paul Spickard
Professor Paul Spickard specializes in Comparative
Race and Ethnicity, US Social and Cultural History, World History. He has
written more than 20 books both fictional and non fictional within the fields
of History and Sociology. As a History major, I immediately connected with
professor Spickard’s exuberant teaching style in his History 2C course – this
was one of the many reasons why I decided to interview him. Overall, the
interview went extremely well; I learned so much more than I thought I would
about the genre of history from professor Spickard. As soon as I started asking
about the genre of history and its techniques, the first thing that professor
Spickard mentioned to me was that he found historical writings to be easier
than fictional writings because it is based on facts. From his experience, a
successful fictional novel has to be able to capture its audiences’ attention
right from the beginning to the end, and therefore it is based on the
audience’s reception to the novel. Historical writings on the other hand, do
not require such complexity as audiences read historical pieces to learn rather
than for leisure. Historical pieces according to professor Spickard are also
able to maintain audience’s attention better than fictional writings. Moreover,
even when comparing sociology/political science with history, historical pieces
tend to do a better job maintaining their audience’s attention. One of the
reasons why this is achievable for historical writings is because history for
the most part is stories – even when you are writing about facts, there are
many different stories to choose from in order to gain the audience’s
attention.
Professor Spickard pointed out that one of the
issues with the genre of History that bothers him the most is the fact that
people/writers think they know more than they do. He believes that everybody
has a notion of history, and as a result is usually strongly entitled to his or
her own opinion. Opinions and facts are different in the sense that facts will “try”
to be as neutral as possible, and a lot of respect is usually given to these
facts. Historical facts are often told differently in different areas of the
world, and as a result credibility is one of the main importance when writing
the genre some of the Historical genre. Professor Spickard used Ted Cruz as an
example, as he said how Ted Cruz believed that President Barrack Obama’s economic
policies are ineffective even though the statistics show a significant decrease
in the unemployment rate in the United States. Moreover, Professor Spickard
also raised the idea of intellectual generosity, as he believes that a real
Historian or a writer of Historical genre should not be frugal with their
knowledge, and instead share it to as many people as possible – the world will
become more intelligent and a better place if more people truly understands
history.
In one of the articles that I have chosen for this
second unit, I have pointed out to Professor Spickard that some of the
references that quote outside sources/influential figures/historians might be
unnecessary to the paper. Professor Spickard agreed, and further stated that he
is not a fan of the use of massive quotations in a writing piece, but many
times they are necessary for the author to either reiterate a fact or challenge
an idea. The discussion of quotation spearheaded towards the discussion of
citations. Professor Spickard completely believed that the MLA style citation
is an abomination, and that it messes with the flow of writing. He also
mentioned how the Chicago style is the way to go for the genre of history, as
it not only make the paper/literary work looks cleaner, but also allows extra
spaces to insert more information on outside readings if the audiences wish to learn
more.